Wednesday, March 19, 2025 (continued)
Still on the way to Buffalo, another stop at the
Palmer Museum of Art at Penn State in State College, PA.
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The new Palmer Museum of Art (est 1972, 2024, by Allied
Works with landscape design by Reed Hildebrand) |
Entry Gallery: Roots and Renewal:
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| Mother and Son (1799, by John Brewster, Jr) |
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| Lullaby (1945, by Robert Gwathmey) |
Grand Staircase:
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Lupine Blue Persian Wall (2023,
by Dale Chihuly) |
Modern: Beyond Abstraction:
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| Untitled (1970, by Louise Nevelson) |
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| Self-Portrait (1985, by Keith Haring) |
Paper: The Global Majority:
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| Kansas Samurai (2004, by Roger Shimomura) |
European: Devotion and Defiance:
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The Siege of Bethulia (c 1530, by Hans Schäufelein) is an
amazingly detailed four-panel woodcut print telling
the story of Judith and Holofernes whom she beheaded |
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| The Act of Judith (1979-1980, by Jerome Witkin) |
Special Exhibition: The Triumph of Nature: Art Nouveau from the Chrysler Museum of Art (2nd floor):
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Iris Vase with Metal Stand (c 1910, by
Legras & Cie, France) |
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| Armchair (c 1925, by Pierre Chareau) |
Contemporary: Breaking Boundaries:
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| Kingfisher and Iris (1840s, by Ando Hiroshige) |
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One Ball Total Equilibrium Tank (Spalding
Dr J Silver Series) (1985, by Jeff Koons) |
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| Holy Cup Tree (2016, by Arnold Zimmerman) |
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Harlem Rose (2005-2006, by Willie Cole)
is made with shoes |
Arts of Africa:
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House of the King Headdress (19C,
by the Kuba people of the
Democratic Republic of the Congo) |
Teaching Gallery: Profiles of Vulnerability and Protection:
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Profile Landscape 438.074 (1977, by Linda Stein)
is painted on a map |
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Possessions 932, from Displacement from
Home (2018, by Linda Stein) |
Glass: Material Metamorphosis:
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Cocoe (2010, by Davide Salvadore)
that did not look like glass! |
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Orange and Green Bowl from Exotic Bird Series
(c 1990, by Toots Zynsky who studied with Dale Chihuly
and went on to develop her signature glass thread vessels) |
Ceramics: Tradition and Innovation:
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| Bowl (date unknown, by Inoue Manji) |
American 20th Century: Modern Medley:
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| Lake George (1924, by Georgia O'Keeffe) |
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Mountains in Stone, Dogtown (1931,
by Marsden Hartley) |
American 20th Century: People and Places:
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Shallow Creek (1938-1939,
by Thomas Hart Benton)
|
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Peacocks Fighting (1934, by
Anna Hyatt Huntington) |
American 20th Century: Urban Visions:
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| The Staten Island Trolley (c 1907, by Guy Pène du Bois) |
Sculpture:
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| Forest (c 2012, by Barbara Diduk) |
American 19th Century: Whose Pennsylvania?:
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Mrs Clement B Newbold (Mary Scott)
(1894-1895, by Mary Cassatt) |
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| The Artist's Last Birthday (1865, by Rubens Peale) |
American 19th Century: The Spread of Impressionism:
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Harney Desert Landscape, Oregon (1904,
by Childe Hassam) |
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| The Wisteria Vine (1919, by William Glackens) |
American 19th Century: Home and Abroad:
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| Displayed as in early art galleries |
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Boy Holding Logs (1873,
by Winslow Homer) |
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| Hot Springs at Yellowstone (1889, by Grafton Tyler Brown) |
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| The Greek Girl (1851, by William Morris Hunt) |
Special Exhibition: The Triumph of Nature: Art Nouveau from the Chrysler Museum of Art (1st floor):
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Nénuphars Side Chair and Writing Table with Cartonnier
(both c 1900, by Louis Majorelle) |
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Morning Glory Vase (c 1900-1904, by
Cristallerie d'Émile Gallé) |
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| Necklace (c 1909, artist unknown) |
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Paris Métro Entourage (unroofed enclosure) Panel
(designed 1900 by Hector Guimard) |
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Nénuphars Cabinet de Travail (1902,
by Louis Majorelle) |
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Gooseneck Sprinkler (c 1898-1899,
by Tiffany Glass and Decorating Company) |
Outdoor Sculpture Path:
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| Adventurer (1977, by Seymour Lipton) |
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| Explorer (1963-1964, by Seymour Lipton) |
