Wednesday, March 19, 2025 (continued)
Still on the way to Buffalo, another stop at the
Palmer Museum of Art at Penn State in State College, PA.
 |
The new Palmer Museum of Art (est 1972, 2024, by Allied Works with landscape design by Reed Hildebrand) |
Entry Gallery: Roots and Renewal:
 |
Mother and Son (1799, by John Brewster, Jr) |
 |
Lullaby (1945, by Robert Gwathmey) |
Grand Staircase:
 |
Lupine Blue Persian Wall (2023, by Dale Chihuly) |
Modern: Beyond Abstraction:
 |
Untitled (1970, by Louise Nevelson) |
 |
Self-Portrait (1985, by Keith Haring) |
Paper: The Global Majority:
 |
Kansas Samurai (2004, by Roger Shimomura) |
European: Devotion and Defiance:
 |
The Siege of Bethulia (c 1530, by Hans Schäufelein) is an amazingly detailed four-panel woodcut print telling the story of Judith and Holofernes whom she beheaded |
 |
The Act of Judith (1979-1980, by Jerome Witkin) |
Special Exhibition: The Triumph of Nature: Art Nouveau from the Chrysler Museum of Art (2nd floor):
 |
Iris Vase with Metal Stand (c 1910, by Legras & Cie, France) |
 |
Armchair (c 1925, by Pierre Chareau) |
Contemporary: Breaking Boundaries:
 |
Kingfisher and Iris (1840s, by Ando Hiroshige) |
 |
One Ball Total Equilibrium Tank (Spalding Dr J Silver Series) (1985, by Jeff Koons) |
 |
Holy Cup Tree (2016, by Arnold Zimmerman) |
 |
Harlem Rose (2005-2006, by Willie Cole) is made with shoes |
Arts of Africa:
 |
House of the King Headdress (19C, by the Kuba people of the Democratic Republic of the Congo) |
Teaching Gallery: Profiles of Vulnerability and Protection:
 |
Profile Landscape 438.074 (1977, by Linda Stein) is painted on a map |
 |
Possessions 932, from Displacement from Home (2018, by Linda Stein) |
Glass: Material Metamorphosis:
 |
Cocoe (2010, by Davide Salvadore) that did not look like glass! |
 |
Orange and Green Bowl from Exotic Bird Series (c 1990, by Toots Zynsky who studied with Dale Chihuly and went on to develop her signature glass thread vessels) |
Ceramics: Tradition and Innovation:
 |
Bowl (date unknown, by Inoue Manji) |
American 20th Century: Modern Medley:
 |
Lake George (1924, by Georgia O'Keeffe) |
 |
Mountains in Stone, Dogtown (1931, by Marsden Hartley) |
American 20th Century: People and Places:
 |
Shallow Creek (1938-1939, by Thomas Hart Benton)
|
 |
Peacocks Fighting (1934, by Anna Hyatt Huntington) |
American 20th Century: Urban Visions:
 |
The Staten Island Trolley (c 1907, by Guy Pène du Bois) |
Sculpture:
 |
Forest (c 2012, by Barbara Diduk) |
American 19th Century: Whose Pennsylvania?:
 |
Mrs Clement B Newbold (Mary Scott) (1894-1895, by Mary Cassatt) |
 |
The Artist's Last Birthday (1865, by Rubens Peale) |
American 19th Century: The Spread of Impressionism:
 |
Harney Desert Landscape, Oregon (1904, by Childe Hassam) |
 |
The Wisteria Vine (1919, by William Glackens) |
American 19th Century: Home and Abroad:
 |
Displayed as in early art galleries |
 |
Boy Holding Logs (1873, by Winslow Homer) |
 |
Hot Springs at Yellowstone (1889, by Grafton Tyler Brown) |
 |
The Greek Girl (1851, by William Morris Hunt) |
Special Exhibition: The Triumph of Nature: Art Nouveau from the Chrysler Museum of Art (1st floor):
 |
Nénuphars Side Chair and Writing Table with Cartonnier (both c 1900, by Louis Majorelle) |
 |
Morning Glory Vase (c 1900-1904, by Cristallerie d'Émile Gallé) |
 |
Necklace (c 1909, artist unknown) |
 |
Paris Métro Entourage (unroofed enclosure) Panel (designed 1900 by Hector Guimard) |
 |
Nénuphars Cabinet de Travail (1902, by Louis Majorelle) |
 |
Gooseneck Sprinkler (c 1898-1899, by Tiffany Glass and Decorating Company) |
Outdoor Sculpture Path:
 |
Adventurer (1977, by Seymour Lipton) |
 |
Explorer (1963-1964, by Seymour Lipton) |