Wednesday, January 26, 2022

Glencairn Museum (1/26/2022)

Wednesday, January 26, 2022 (continued)
Finally, the Christmas in the Castle Tour at Glencairn Museum!
Glencairn Museum in Glencairn (1928-1929, by
Raymond Pitcairn in "medieval" style)
Although not a professional architect, Raymond Pitcairn (the eldest son of John Pitcairn, Jr) designed both the Bryn Athyn Cathedral and his home, Glencairn. The design of both buildings evolved gradually, relying on scale and full-sized plaster models rather than solely on predetermined architectural plans. Creative input was sought from the craftsmen themselves, who worked together with designers in the shops and studios that were built for them on the site. Glencairn was also designed to house Pitcairn’s collection of medieval objects, which were purchased as inspirational models for the artists who worked on the Cathedral.
The museum now also includes collections of religious art and history that were purchased (mostly by John Pitcairn, Jr) for the museum in the library of the Academy of the New Church.
Our tour focused on how the Raymond Pitcairn family celebrated Christmas.
Great Hall, which was like an outsized but
comfortable living room, and today was
filled with nativity displays
Great Hall painted ceiling
Great Hall monumental glass mosaic that
depicts the seal of the Academy of the New
Church divided into four parts; the medallions
represent the Boys School, the Girls School,
Bryn Athyn College, and the Theological School
The Pitcairn family would decorate a two-story
Christmas tree in the Great Hall, and beneath
would stand a Steiff (Germany) toy on wheels,
a new one almost every year
Upper Hall Icon of the Nativity (2013, by
Susan Kelly vonMedicus, who was a niece
of Grace Kelly, in Byzantine style)
One of the Moravian stars (c 1950s, by Herrnhut Star
Company, East Saxony, Germany) represents the
Star of Bethlehem and may have originated as a 1930s lesson
in geometry in a Moravian Church school in Niesky, Germany
Upper Hall Christmas tree
Upper Hall stained glass window illustrating the balance of
power among the White House/Presidency on the left,
the US Capitol/Congress in the center, and the
Supreme Court on the right, with the quotation:
"There shall be justice among them," which Swedenborg
felt was one oof the essentials of a successful society
Symbols of the four communities the Pitcairns hoped to serve during their lifetimes are repeated in the ornamentation throughout Glencairn: family, school, country, church.
A bust of Abraham Lincoln (1923, by
George Grey Barnard) who was admired by
Raymond Pitcairn as "who above all statesmen,
heeded the admonition to do justly and to love mercy,
and to walk humbly with his God” (Micah 6:8) 
It is interesting that George Grey Barnard also collected medieval artworks, which are now displayed in The Cloisters in New York City.
Christmas Window (c 1919, by Lawrence Saint)
depicts the Angels Appearing to the Shepherds
and Presentation in the Temple on the top,
and Adoration of the Wise Men and Flight
into Egypt on the bottom; it was originally
installed in the Cathedral, but removed when
the addition of the North Wing blocked it
The Pitcairn Family Nativity (c 1925, by Winfred S Hyatt)
was first used at Cairnwood; the scenes include the angels
appearing to the shepherds, the manger scene, and the
wise men following the Star of Bethlehem
In 1954, Raymond Pitcairn commissioned a copy of the family nativity for the East Room of the White House when President Eisenhower was in office. This nativity is now displayed during the holidays at the National Military Park Museum and Visitor Center in Gettysburg, PA.
Another Christmas tree in the Upper Hall,
under which are toys that children may
actually touch and use
Santa and Sleigh (c 1930s, Germany)
Door to the elevator that we took from the
basement to the top of the tower (9th floor)
We arrived at a glass-enclosed pavilion below
the tower roof, here looking down at Cairnwood
Remember that John Pitcairn was cofounder of Pittsburgh Plate Glass, so all the glass in Cairnwood and Glencairn was likely manufactured by PPG. All the stained glass was produced in a glass studio housed in what is now the Garden House of Cairnwood.
View of the Philadelphia skyline from the tower pavilion
The seal of the Academy of the New Church is carved above
the entrance to the chapel, which is on the 7th floor of the tower
Chapel ceiling
Chapel Christmas stained glass window with the
Annunciation, Angels Appearing to the Shepherds,
Adoration of the Magi, and Flight into Egypt
Chapel version of the Lord's Prayer in Greek
Chapel version of the Ten Commandments
in Hebrew
Christmas themed lampshade (c 1937-1940, by Frank Snyder)
Chapel Bible Cabinet (c 1926, by Frank Jeck)
is handcarved in cherry wood, with reliefs of
angels guarding the Garden of Eden
on the doors, and the four "living creatures"
who sat at the throne of God on the side capitals
The family living room with the
Boar Hunt Tapestry (c 1400-1425,
Franco-Flemish, perhaps Arras)
Christmas dining room table centerpiece, where the head
of the reindeer can be removed to fill the body with candies
Centerpiece made from the "latest"
material, Styrofoam
Centerpiece cobbled together by a Pitcairn family member?
Raymond & Mildred's Bed (1931, by Frank Jeck) is made
of teakwood, with pairs of turtle doves
(symbolizing enduring love) on each post
Closup of the pair of turtle doves
Another pair of turtle doves on this personalized case
These dresser lamps look almost contemporary
Raymond's wife, Mildred, wore this red
dress for generations of Christmas Days
Bathtub
Carved wooden doors throughout Glencairn
seem to use the Frank Jeck technique of
using an adze to shape the timbers, endowing them
with irregularities similar to hand-hammered metal
The Bird Room with a mosaic of a white
peacock, and an Egyptian Libation Bowl
(c 1400-1200 BCE)
Bird Room ceiling mosaics



Glencairn Museum: World Nativities Annual Exhibition (1/26/2022)

Wednesday, January 26, 2022 (continued)
We still had time before our 13:30 Christmas in the Castle Tour at Glencairn Museum. We were allowed to explore the first floor exhibit of World Nativities.
Ebony Nativity (c 2000, by a Makonde
artist, Tanzania)
Egyptian Nativity (2009, by Mr Elhamy,
a Coptic Christian, Egypt)
Peruvian Nativity Retablo (2011, by Jeronimo Lozano, Peru)
Peruvian Nativity Retablo/altarpiece detail with
prickly pear fruit; Nativity Exhibition Seek & Find:
How many animals? We counted 11 including llamas
Thailand Nativity with water buffalo
Polish Szopka/Nativity (2013, by
Zbigniew Gillert, Krakow, Poland) was a
2013 first place winner in the category of
medium-size szopki in Krakow, Poland in 2013
Zululand Nativity (2009, 2012, by Kwa Zigi
Gimli group in KwaZulu Natal, South Africa,
using metallic beads, burlap, cotton, wood)
Peruvian Nativity (by Dionisio Rojas Gutierrez, Peru)
features a Spanish Mission-style church
American Nativity (2020, by Karen Loccisano and
R Michael Palan, Bridgewater, NJ) depicts the Nativity
re-imagined during the 1930s Dust Bowl era
American Nativity detail
Presipio/Nativity from Naples (late 19C to early 20 C,
figures collected over a period of 30 years by
Elizabth Anne Evans of Bucks County, PA)
The presipio is a Neapolitan tradition of many centuries, with its "Golden Age" in the 18C, where daily life in 18C Naples, a bustling port city in Italy, is also depicted along with the Nativity of Jesus Christ, Adoration of the Shepherds, Adoration of the Wise Men, and the Inn at Bethlehem.
Nativities from Three Continents: Colombia
Nativities from Three Continents: Japan
Nativity with Pinecone Stable (c 1990s, São Paulo, Brazil)
where each figure has a gold accent; Nativity Exhibition
Seek & Find: All the people have their eyes closed and
mouths open - what are they doing? Singing or praying
Turkish Carpet Nativity (2021, by
Mustafa Yigit, Istanbul, Turkey) on a mini loom
Lost Wax Nativity (Burkina Faso in bronze)
Lost Wax Nativity figure of a griot/storyteller
playing the balafon/gourd-resonated xylophone
Pine Forest Nativity (stamped S Sitarski & J Federowicz,
Poland) with only the heads of the ox and donkey peering
through the wooden fence
Nativity from Oaxaca (by Guillermina Aguilar Alcantar,
Oaxaca, Mexico) where Mary holds a blanket incised with
a rose (symbol of Mary) and Joseph holds a white lily
Next: Glencairn Museum: Christmas in the Castle.