Thursday, August 11, 2022 (continued)
The next stop in Ridgefield, CT was the
Aldrich Contemporary Art Museum.
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| Aldrich Contemporary Art Museum (2004, by Tappé Associates) |
Like the Keeler Tavern Museum, the Aldrich Contemporary Art Museum officially acknowledges that it is located on the ancestral homelands of the Wappinger and Munsee Lenape [and Ramapo] Peoples, whose stewardship and history should be remembered.
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| Part of Recourse (2021, by Catalina Ouyang) (KSS) |
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| The rest of Recourse (KSS) |
Aldrich is a non-collecting museum and instead presents exhibitions, usually the first solo exhibitions of emerging artists. The current exhibition,
52 Artists: A Feminist Milestone, celebrates the 51st anniversary of the historic exhibition,
Twenty Six Contemporary Women Artists. The original 26 artists are featured along with 26 emerging artists.
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| Untitled Inscape #1 (1970, by Cynthia Carlson) |
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| Untitled (2020, by Hannah Levy) |
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| Untitled detail |
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The Girl Has Teeth and Teeth Are Tired
(2022, by Amaryllis DeJesus Moleski) (KSS) |
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Nightshade Hybrid with Seedpod
(2020, by Mablen Jones) |
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| Red Mirage (2017, by Mary Heilmann) |
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Time Signatures: Homage to Linda and Lucy:
My Luminaries (2010-2017, by Barbara Zucker) |
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| Time Signatures detail |
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| Untitled Cyclone (2017, by Alice Aycock) (KSS) |
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| Untitled Cyclone |
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| 4 Into 3 (1973, by Cecile Abish) |
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| Tamiko with 4 Into 3 (KSS) |
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