Now we are heading homeward, with a stop at the Telfair Academy in Savannnah, GA, one of the three Telfair Museums. It houses period rooms and 19-20C American and European art.
Telfair Academy is located in the Telfair Mansion (1819, by William Jay in Neoclassical Regency style); this is the Drawing Room with a ten-light crystal chandelier (c 1810-1820) |
Eh! Eh! les autres, allons jouer!/Dutch Urchins Calling (c 1889, by Walter MacEwen); although they may look like they are cryig, the children are calling you to come play |
La Madrileñita/Young Girl from Madrid (1910, by Robert Henri) |
Classical artifact in an upper gallery |
View of Telfair Square |
Iron Gate at Bonaventure [Cemetery] (before 1942, by Emma Cheves Wilkins) |
Iron gate fragment and Victorian garden tiles (19C, from Bonaventure and Laurel Grove cemeteries in Savannah, GA) |
From Seabaord Docks (c 1953, by Anna Colquitt Hunter) depicts the Savannah waterfront from the Seaboard Air Line Railroad Docks on Hutchinson Island |
The Rotunda (1883–1886 addition to the mansion, by Detlef Lienau to transform the mansion into an art museum) |
La demoiselle d'honneur/The Maid of Honor (c 1901, by Jean-François Raffaëlli) |
Mary Telfair (1896, by Carl Ludwig Brandt, who was the first director of the Academy) portrays the woman whose bequest of her home and collection resulted in the Telfair Academy |
The Dining Room |
Marketing (c 1943, by Robert Gwathmey, an American social realist painter) |
The Sculpture Gallery, located below the Rotunda |
The Hurrying River (not dated, by Robert Hogg Nisbet, who was born in Providence, RI and educated at the Rhode Island School of Design/RISD before teaching at Brown University) |
Snow-capped River (1911, by George Wesley Bellows) depicts the icy Hudson River and the Palisades of New Jersey |
Untitled (Rose Sleeves) (1911, by Kahlil Gibran, the Lebanese-American better known for writing The Prophet) |
Octagon Room |
Shotgun Shanty (1999, by John M Mitchell) |
The cable-stayed Savannah Bridge (1991) |
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