Tuesday, February 11, 2025
As we departed from Cary, NC, we stopped at the State Employees’ Credit Union to look for drawing by Fiona in a display of student artwork.
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There were over 100 pictures, and none were labeled;
however, in randomly sending a copy of this grouping, we
learned that Fiona's is the second from left in the top row! |
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| Artist-Made Seating (by Tom Spleth) |
Elisabeth Chant:
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Violet & Gold (Self-portrait) (c 1925,
by North Carolina artist Elisabeth Chant) |
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Elisabeth Chant's trunk that she brought when arriving
in Wilmington in 1922, containing a few of her belongings |
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| Alfred of Britain (1925 watercolor) |
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| Watermelons on the Dock (1925 oil) |
Close to Home:
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| By the Pond (1898, by Mary Cassatt) |
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For Those Who Panic a Moment Before Joining the Parade
(1967, by Maud Gatewood) |
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For Those Who Panic a Moment Before
Joining the Parade detail (on plywood) |
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| Frog Anatomy (2007, by Abigail Spangel Perry) |
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| Off-Kilter (2014, by Tom Shields) |
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| Beaded Blue Maiden (1995, by Ken Carder) |
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October Sunlight on Second Street (1982,
by Claude Howell, a student of Elisabeth Chant) |
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Carolina Beach State Park (2019,
by Robert Johnson) |
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Coming to Jones Road Print #1: Under a
Blood Red Sky (2000, by Faith Ringgold) |
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Giraffe and Elephant (undated,
by Michael Van Hout) |
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| Highlands Basket (2004, by Billie Ruth Sudduth) |
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| History of Architecture (1999, by Patrick Hughes) |
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| The Bones Of (2012, by Dustin Farnsworth) (KSS) |
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| The Bones Of detail (KSS) |
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| Sorting Fish mosaic (1957, by Claude Howell) |
Thomas Sayre: Four Walls:
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(L) Their Solitary Way (2023, using burned turpentine,
burned wood chips, and carbon smoke) and (R) Reredos (2023) |
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Don't Tread on Me (2023, in collaboration with Victor
Lytvinenko/Raleigh Denim, using denim fabric, burn holes,
dirt, printed roofing tar, and painted flag on wall) |
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Reredos (2023, cast concrete on burned wood
and earth mold, impressions from clothing) |
Rising Stars:
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(?) True Local (2024, by Alana Enyart,
North Brunswick High School) |
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