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Welcome (2023, by Gregor Turk using security cameras) to the Georgia Museum of Art at the University of Georgia in Athens, GA |
Waffle House Vistas:
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A video (2024, by Micah Cash) of Waffle House Vistas |
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The Soviet Union's official style of art was socialist realism from about 1930-1980, as seen here in Shipyard (1960, by Heorhii Petrov) |
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Scene from World War II (c 1960, by Valerii Mashnytskyi) appears to be influenced by ... |
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Barge Haulers on the Volga (1873, by Ilya Repin, a forerunner of socialist realism) |
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Waiting (1945, by Ivan Babenko) is said to quietly denounce the official triumphalist rhetoric, as not all the soldiers returned to their loved ones |
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Portrait of a Young Woman (1966, by Serafima Senkevych); artists were to record "typicality" since individuality was an undesirable feature of the bourgeois |
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Easter Still Life (1951, by Volodymyr Synytskyi) is small because it was not meant for public display, especially during the era when celebrating Easter was forbidden |
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Lenin in the Hours of Rest (1960, by Serhii Lysenko) presents Lenin as a relatable human being, even though he is living in an appropriated landed estate |
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Autumn (1979, by Mykola Kravtsov) illustrates the artist's native region with spectacular fall colors, and in the background are spoil tips/mounds of waste rock and soil removed during coal mining |
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Elders (1967, by Valentyn Chernukha) perhaps depicts that people of all ages must do their share of the work |
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At the Museum (c 1950, by Stepan Holub) has a painting in a painting ... |
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The schoolboys are admiring this painting, At the School Doors (1897, by N Bogdanov- Belsky) that actually shows a beggar who is not allowed into the classroom of students |
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St John the Baptist in the Wilderness (early 1620s, by Giovanni Battista Vanni) |
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San Sebastian (early 1690s, by Onorio Marinari) is a rare painting where St Sebastian is not poked full of arrows; instead he holds his symbols of a palm frond and arrow in his hand |
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Mercury (1580, by Jean de Boulogne aka Giambologna, cast 19C) against a backdrop of the city of Florence, Italy |
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Decorative panels with fruits and flowers (17C, from Lucca, Italy) |
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Relief Portrait of Galileo Galilel (c 1710-1720, by Antonio Montauti) |
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March of the Weavers (1893-97, by Käthe Kollwitz) |
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Taking Sunflower to Teacher (1875, by Winslow Homer) |
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Taking Sunflower to Teacher close-up |
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Full Dress Helmet of Her Majesty's Chevalier Guards (late 19C) |
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Presentation cigar box with a coronation scene and coats-of-arms of provinces (1856) |
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Pin with enamel miniature portrait of Peter the Great (c 1872) and relief showing Peter the Great's feast on the battlefield at Poltava (1809) |
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Quilting Scene (undated, by Pris Butler) |
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Mat (1990, by Rowena Bradley, Cherokee) |
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Silver Teapot (c 1820-1830, by Frederick Marquand) |
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Footed Berry Bowl (c 1890s, by Gorham Manufacturing Company in Rhode Island) |
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Platter (c 1817-1825, by Davenport Ceramic Firm in England) made for John McKine of Augusta, GA |
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7 Steps (1994, by Radcliffe Bailey) |
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Sound Suit (2017, by Nick Cave) |
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Sound Suit from another perspective |
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Window (1903, by Frank Lloyd Wright) from Walter J Walser House in Chicago, IL |
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Evening, Dogtown (1916, by John Sloan) |
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Bucks County Barn (1940, by Charles Sheeler) is one of his images of barns around Doylestown, PA |
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Taxi! Taxi! (1933, by Eugenie McEvoy) |
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Study for The Sun Bath (c 1900, by Mary Cassatt) |
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Serving Dish with Hog (c 1980) |
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Jar with Lid (1994-1997) |
Permanent Collection:
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My House in Vernon: The Garden (c 1922, by Pierre Bonnard) |
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Still Life with Pears (1888, by De Scott Evans) |
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Minnehaha (1868, by Edmonia Lewis) |
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assinajaq from Shining Stars portrait series (2020, by Kent Monkman) |
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Andreas (2022, by Jane Manus) |
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