Thursday, August 29, 2024
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Kent checks out the mystery installation;
it is a device to electrify the fence
for a protected section of meadow |
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One of several gates around the pasture;
this one is on Stone Bench Trail |
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| Piney woodland |
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| Stone Bench Trail led us here |
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| Lunder Center at Stone Hill is yet another gallery at The Clark |
Exhibit:
Kathia St Hilaire: Invisible Empires:
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To Be Titled (2022, by Kathia St Hilaire, Haitian)
combines printmaking, painting, collage, and weaving |
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| To Be Titled detail with weaving |
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| La Sirene (2020, by Kathia St Hilaire) |
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Our Only Guide to Justice (2021) is in a shape inspired by the
Haitian Vodou symbol veve/the fighting spirit of Ogun |
Exhibit:
I Am a Part of Art by Community Access to the Arts:
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| Untitled (2024, by Michael Augustine) |
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House Reflecting on Pond (2024,
by Corinne Myers) |
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| Howard Path has stairs |
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| Howard Path crosses a stream |
Manton Research Center Exhibit:
Edgar Degas: Multi-Media Artist in the Age of Impressionism:
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| Two Dancers Resting (c 1879, in pastel) |
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Mary Cassatt at the Louvre: The Etruscan
Gallery (1879-1880, a softground etching) |
Michael Conforti Pavilion Exhibit:
Fragile Beauty: Treasures from the Corning Museum of Glass:
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| Deep flaring bowl on wooden stand (19C, China) |
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Pair of pitchers (1883-1900) are probably Bohemian,
possibly German |
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Gourd-shaped vase (1888, by
Fridolin Kretschman/Bohemian
and Jules Barbe/French) |
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Favrile vase with leaves (1914-1915,
by Louis Comfort Tiffany) |
Clark Center Galleries Exhibit: Guillaume Lethière (1760-1832):
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