Visiting with daughter, Brynne:
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| Boris, the cockatiel, stares down Randy, the cat |
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| Boris sits on a knee while Roger, the other cockatiel, thinks he is staring down Brynne |
Remember that there are five versions of van Gogh digital art presentations? On a whim, we decided to check out another version that was showing in Cleveland.
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| The Cleveland venue was Lighthouse ArtSpace Cleveland |
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| Instead of informative displays about Vincent van Gogh, the Lighthouse Immersive van Gogh had photo-op sculptures |
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| Sherwin Williams is headquartered in Cleveland, but van Gogh did not paint from cans |
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| Iconic Cleveland lettering and a version of Stayin' Alive nine-foot electric guitar from GuitarMania |
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| Kent and Brynne with tube of oil paint |
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| Transition between Piles de champs de blé avec Moissonneuse/Wheatstacks and Reaper (1890) and Meules de blé/Wheatstacks (1888)? |
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| This venue was interrupted by columns within the room, and the mirrors surounding the columns did not help improve the immersive feeling (KSS) |
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| This version did project many more of the works of van Gogh, such as Oliviers dans un paysage montagneux/ Olive trees in Mountainous Landscape (1889) that morphed into several versions of olive trees painted by van Gogh |
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| L'iris/Irises (1889) |
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| The irises are starting to morph (KSS) |
The transitions were fast and although more paintings were shown, the views were fleeting. The transitions also did not have the technical innovations of the Philadelphia digital art show.
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| Champ de blé aux corbeaux/Wheatfield with Crows (1890) as seen on a pillar mirror (KSS) |
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